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- THEATER, Page 110Willful Women, Home Truths
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- ELEEMOSYNARY
- by Lee Blessing
-
- What kind of mother would expect her 15-year-old daughter
- to jump off a tower while strapped with wings to prove that
- mankind can fly? What kind of daughter, after being cowed by
- such a mother, would so quake at the parent-child bond that she
- would abandon her toddler to relatives and head off to Europe
- to teach? What kind of child, growing up as the object of battle
- between such willful women, would prove at once fiercer and more
- forgiving than either?
-
- The Wesbrook women, Lee Blessing says in his haunting
- off-Broadway play Eleemosynary, are determined to be
- exceptional. The grandmother is a New Age visionary, the mother
- a science scholar blessed (and cursed) with total recall, the
- child a national champion speller who not only knows the shape
- of words but revels in their layers of meaning. (The play's coy
- title is a spelling-bee word meaning charitable.) Yet for all
- their brains, beguiling eccentricity and epic betrayal, the
- women are touchingly ordinary in matters of the heart. Every
- woman, and everyone who knows and loves one, will recognize too
- familiar truths in the dilemmas Blessing depicts: mothers who
- urge freedom but see children as a chance to fulfill their own
- thwarted dreams, children who adore their parents but feel
- compelled to compete with them or simply say no.
-
- Blessing, whose Broadway and London hit A Walk in the Woods
- arrived on PBS last week and is to open this week in Moscow,
- again displays wit and charm. But here he provides a much more
- intriguing narrative -- full of time shifts, inner thoughts
- revealed, imaginary moments, even a flash-forward in which the
- now dead grandmother describes her search for "life after
- eternity." This complex material stays clear, thanks to adept
- direction by Lynne Meadow and remarkable performances by Jennie
- Moreau as the girl, Eileen Heckart as her tart-tongued
- grandmother and especially Joanna Gleason as the woman in
- between, the focal point of family guilt. Eleemosynary, which
- has ripened in regional productions, is Blessing's finest work,
- an enriching tale of sin, regret and forgiveness.
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